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In this important study, Muhammad Moj explores the Deobandi sect within Islam and its relationship to Pakistani society in an innovative way. The Deoband Madrassah Movement (DMM) has largely been studied as a political and religious reform movement, but this book interprets it rather as a counterculture, drawing on the counterculture theory of Milton Yinger.
Using analyses of Deobandi journals and interviews with madrassahs and college students, this book comprehends the DMM from a broader perspective to discover the reasons behind its clash with the mainstream society in which it operates.